![]() My aim was to use the XR process in such as way as to try and bring out the full frequency and dynamic range of Neveu's violin, as well as the rich tones of the low orchestra, so vital especially to the Sibelius concerto. Ginette Neveu's two studio concerto recordings were both made at the tail end of the direct-to-disc era, before magnetic tape took over, and the remnant shortcomings of the process, even as technology advanced, are still occasionally audible here in hints of swish and background surface noise. Her two studio concerto recordings completely revitalised in these new 32-bit XR remasters ![]() Ginette Neveu - one of the finest violinists ever recorded
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